
David Lynch: Collection of Short Films – Part 1
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This isn’t just Cinema – it’s a ritual. The Darkened Room pulls us into a world of women trapped in invisible structures of time. Boat drifts towards nowhere, lulling us into a deep trance, while Industrial Soundscape is a sonic exploration of spaces where machines and environments resonate as one living organism. Lamp and Out Yonder: Neighbor Boy play with absurd dialogue and stretched tension, forcing us to stare at the screen as if it were a mysterious, incomprehensible phenomenon. Here, Lynch manipulates the medium itself – distorting reality to the very edges of perception.
Mikołaj Mizak

David Lynch (1946 – 2025) – an American director, screenwriter, producer and visual artist, born in Missoula, Montana. He studied painting in Philadelphia, before moving to Los Angeles to make films. He began production on his feature-length debut, Eraserhead, while still a student at the American Film Institute’s Centre for Advanced Film and Television Studies, which initially provided funding for the project. Lynch was one of the most original and influential cinema visionaries. His signature mix of surrealism, genre tropes and experimental narration found favour with a wide audience. Lynch’s films relied heavily on striking visual and soundtrack elements, which always function as integral parts of the complex structure of his works. In addition to directing, he has practised painting, photography, meditation and experimented with new media. A three-time Oscar nominee, Lynch was awarded the Palme d’Or at the Cannes Film Festival for Wild at Heart (1990).
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April 8, 2025
6:30 PM
Iluzjon Mała Czarna
Tytuł angielski: David Lynch: Collection of Short Films – Part 1
Sekcja: Tribute to David Lynch
Czas trwania: 86 min
Język: angielski
Napisy: polskie
Właściciel praw: So Films
Dekada: 2000.
Edycja: TFFW 2025
The Darkened Room
Tension builds in silence, stretched like a thin layer of lacquer on a wooden floor. Lynch traps us in a claustrophobic space where loneliness takes on an oddly physical form. A woman sits in the room, as if pulled from another dimension – waiting, silent, unraveling. This is a film about cracks, the kind that aren’t visible to the naked eye but slowly tear a person apart from the inside.
Mikołaj Mizak
Tytuł angielski: The Darkened Room
Tytuł oryginalny: The Darkened Room
Reżyseria: David Lynch
Czas trwania: 8 min
Rok produkcji: 2002
Kraj produkcji: USA
Boat
This isn’t just an ordinary boat ride, but a drift along the edge of consciousness, where the water reflects not just light but also our deepest fears. The camera glides over the water’s surface, pulling us into a trance – rhythmic, almost hypnotic. Something lurks beneath, though we will never see it. Lynch doesn’t show the monster but makes us feel its presence.
Mikołaj Mizak
Tytuł angielski: Boat
Tytuł oryginalny: Boat
Reżyseria: David Lynch
Czas trwania: 9 min
Rok produkcji: 2003
Kraj produkcji: USA
Lamp
A seemingly simple image – a lamp, light, darkness. Yet it is something more: a meditation on perception, on how everyday objects can conceal infinite depths. The lamp flickers, casts shadows, plays with our sense of reality. Lynch extracts the mystery of light – and the darkness that always lurks just beside it.
Mikołaj Mizak
Tytuł angielski: Lamp
Tytuł oryginalny: Lamp
Reżyseria: David Lynch
Czas trwania: 31 min
Rok produkcji: 2003
Kraj produkcji: USA
Out Yonder: Neighbor Boy
Absurdity dressed in overalls and cowboy boots, bathed in the drowsy light of American suburbs. The characters speak as if in slow motion, their movements eerily mechanical, their neighborhood conversations filled with grotesque tension. There is something unnatural here, something lurking between the words – an unnameable unease. Lynch juggles strangeness, revealing just how unpredictable the mundane can be.
Mikołaj Mizak
Tytuł angielski: Out Yonder: Neighbor Boy
Tytuł oryginalny: Out Yonder: Neighbor Boy
Reżyseria: David Lynch
Czas trwania: 10 min
Rok produkcji: 2001
Kraj produkcji: USA
Industrial Soundscape
Sound, rhythm, steel. There is no plot, no characters – only a hypnotic symphony of machines. The industrial noises form a narrative of the modern world – without dialogue, without explanations. Lynch transforms factory sounds into a musical composition where humans are mere spectators, and the true protagonist is the pulsing, steam-belching heart of civilization.
Mikołaj Mizak
Tytuł angielski: Industrial Soundscape
Tytuł oryginalny: Industrial Soundscape
Reżyseria: David Lynch
Czas trwania: 13 min
Rok produkcji: 2002
Kraj produkcji: USA
Bug Crawls
Look closely – at what crawls, at what moves beyond our sight. David Lynch focuses on tiny, almost imperceptible movement, evoking a primal discomfort. A bug wanders through the frame like a traveler in another dimension, and we don’t know whether to recoil or to contemplate its alien presence. Beauty and revulsion coexist in a single shot.
Mikołaj Mizak
Tytuł angielski: Bug Crawls
Tytuł oryginalny: Bug Crawls
Reżyseria: David Lynch
Czas trwania: 5 min
Rok produkcji: 2004
Kraj produkcji: USA
Intervalometer Experiments
A record of time, an experiment with motion, an attempt to capture what usually eludes us. Here, the director plays with time, allowing images to pulse, breathe, and transform in an almost organic way. It’s like viewing the world through different eyes – ones that see not just the moment but its inevitable decay. Transience and repetition become a dance, choreographed by nature itself.
Mikołaj Mizak
Tytuł angielski: Intervalometer Experiments
Tytuł oryginalny: Intervalometer Experiments
Reżyseria: David Lynch
Czas trwania: 16 min
Rok produkcji: 2004
Kraj produkcji: USA