I Know Where I’m Going!
The colour whisperers knew how to charm in black and white: I Know Where I’m Going! is, for many cinema buffs, Powell and Pressburger’s best film. Filmed in a style that’s reminiscent of Citizen Kane, it begins with a biographical run through the life of the main character, Joan (a vibrantly energetic Wendy Hiller), only to ask – does she definitely know where she’s going? When Joan meets Torquil (the seductive, raspy Roger Livesey), it becomes clear that her matrimonial plans involving a certain wealthy industrialist will be put to the test. The Archers’ most unassuming masterpiece invites the viewers into a welcoming Scottish setting that seduces with its lack of pretence and compelling characters. I Know Where I’m Going! is the perfect romance – full of soul-baring and rough waters, spelled out in almost fairy tale-like landscapes. It is also Tilda Swinton’s favourite film, and we all know she has great taste.
Patrycja Mucha
4K restoration by the BFI National Archive and The Film Foundation in association with ITV and Park Circus. Restoration funding provided by the Hobson/Lucas Family Foundation. Additional support provided by Matt Spick.
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DATE
April 11, 2024
TIME
6:00 PM
VENUE
Kino Iluzjon Stolica
COPY / OTHERS
DATE
April 15, 2024
TIME
10:30 AM
VENUE
Kino Muranów Gerard
COPY / OTHERS
ENGLISH TITLE
I Know Where I’m Going!
ORIGINAL TITLE
I Know Where I’m Going!
LANGUAGE
English
SUBTITLES
Polish
SECTION
DIRECTOR
DURATION
91 min
YEAR
1945
COUNTRY
SALES
Park Circus
TRIGGER WARNING
I’ve never seen a picture that smelled of wind and rain in quite this way, nor one that so beautifully exploited the kind of scenery people actually live with, rather than the kind that is commercialized as a showplace.
– Raymond Chandler
PRODUCER
Michael Powell, Emeric Pressburger
PRODUCTION
The Archers
CAST
Wendy Hiller, Roger Livesey, Pamela Brown
SCREENPLAY
Michael Powell, Emeric Pressburger
CINEMATOGRAPHY
Erwin Hillier (black&white)
EDITING
John Seabourne
SCORE
Allan Gray
ART DIRECTION
Alfred Junge
DECADE
AWARDS
#196 on the list of The Greatest Films of All Time by “Sight & Sound” (2022)
EDITION