Peeping Tom
A bone-chilling thriller and the antithesis of feel-good Cinema Paradiso-like productions. Following their opera-ballet experiments of the late 1940s and early 1950s, the rest of the decade didn’t bring the Archers much success. The erstwhile innovators suddenly found themselves light years away from new-wave energy. Powell’s Peeping Tom feels like an attempt to restart his relationship with cinema and to blend in with the new cultural trends. Sex, violence, a serial killer, childhood traumas, perversion, and fetishes: the compelling tale of a shy cameraman dreaming of working as a director (a disturbing and unassuming Karlheinz Böhm) was hailed as the “British Psycho.” Indeed, the simultaneous release of two masterpieces about young men murdering attractive women is a unique occurrence in cinema history. Powell’s vision, however, is far more eccentric – a mise en abyme, a claustrophobic horror in which the camera serves as an instrument of torture. Criticized at the time of its release, the provocative, stylish, repulsive, and utterly unnerving Peeping Tom returns in a new, restored version.
Sebastian Smoliński
4K restoration completed in 2023 by The Film Foundation and the BFI National Archive in association with StudioCanal.
organized in collaboration with
media partner
DATE
April 9, 2024
TIME
9:15 PM
VENUE
Kino Iluzjon Stolica
COPY / OTHERS
DATE
April 13, 2024
TIME
9:30 PM
VENUE
Kino Muranów Zbyszek
COPY / OTHERS
ENGLISH TITLE
Peeping Tom
ORIGINAL TITLE
Peeping Tom
LANGUAGE
English
SUBTITLES
Polish
SECTION
DIRECTOR
DURATION
101 min
YEAR
1960
COUNTRY
SALES
Tamasa
TRIGGER WARNING
PRODUCER
Michael Powell
PRODUCTION
Michael Powell (Theatre)
CAST
Karlheinz Böhm, Anna Massey, Moira Shearer, Maxine Audley
SCREENPLAY
Leo Marks
CINEMATOGRAPHY
Otto Heller (kolor)
EDITING
Noreen Ackland
SCORE
Brian Easdale
COSTUME DESIGN
Polly Peck, Dickie Richardson, John Tullis
ART DIRECTION
Arthur Lawson
DECADE
AWARDS
BFI Top 100 British Films (1999)
EDITION