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7—14 kwietnia 2025

Warszawa

April 7—14, 2025

Warsaw

The Life and Death of Colonel Blimp


The Archers’ first big achievement and one of the most incredible epics in the history of cinema. The title of the film derives from a popular comic strip from the 1930s and 40s which mocked British militarism. The Life and Death of Colonel Blimp chronicles the adventures and disappointments of Clive Wynne-Candy (Roger Livesey). In 1902 he is a high-flyer fighting for England’s honour, yet four decades later, during World War II, he seems to be just a whiskered relic of the past. Blimp became famous even before its premiere thanks to Winston Churchill who was opposed to making this blood-and-thunder story, ambiguous in terms of its propagandist qualities. Today we can clearly see that contemporaneous political needs inspired a meditation on Britishness, evanescence, war, and love (a young Deborah Kerr plays three different roles). This panache is accompanied by an inimitable studio style: scenography colours the past and the Technicolor cinematography is supreme.

Sebastian Smoliński

4K restoration completed in 2012 by the Academy Film Archive in association with the BFI, ITV Studios Global Entertainment Ltd., and The Film Foundation. Restoration funding provided by The Material World Charitable Foundation, The Louis B Mayer Foundation, Cinema per Roma Foundation, and The Film Foundation. Supported by Simon and Harley Hessel. Restoration consultants: Martin Scorsese & Thelma Schoonmaker Powell.

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DATE

April 9, 2024

TIME

8:15 PM

VENUE

Kino Muranów Gerard

COPY / OTHERS

DATE

April 13, 2024

TIME

3:15 PM

VENUE

Kino Iluzjon Stolica

COPY / OTHERS

ENGLISH TITLE

The Life and Death of Colonel Blimp

ORIGINAL TITLE

The Life and Death of Colonel Blimp

LANGUAGE

English

SUBTITLES

Polish

SECTION

DIRECTOR

DURATION

163 min

YEAR

1943

COUNTRY

SALES

Park Circus

TRIGGER WARNING

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I’m always thinking about the Powell and Pressburger films when I’m thinking about color, about creating worlds, and about how to tell a story as exuberantly as possible.

– Ari Aster

For me, it’s the greatest English movie. (…) I watched this film in the mideighties, when Martin Scorsese brought it out of obscurity and got it restored. It was showing in cinemas, so I went to see it, and it was a complete revelation. Then I went home and wrote The Remains of the Day.

– Kazuo Ishiguro

PRODUCER

Michael Powell, Emeric Pressburger, Richard Vernon

PRODUCTION

The Archers

CAST

Roger Livesey, Deborah Kerr, Anton Walbrook

SCREENPLAY

Michael Powell, Emeric Pressburger

CINEMATOGRAPHY

Georges Périnal (colour)

EDITING

John Seabourne

SCORE

Allan Gray

COSTUME DESIGN

Joseph Bato

ART DIRECTION

Alfred Junge

DECADE

ACCOLADES

#196 on the list of The Greatest Films of All Time by “Sight & Sound” (2022)

EDITION