The Life and Death of Colonel Blimp
The Archers’ first big achievement and one of the most incredible epics in the history of cinema. The title of the film derives from a popular comic strip from the 1930s and 40s which mocked British militarism. The Life and Death of Colonel Blimp chronicles the adventures and disappointments of Clive Wynne-Candy (Roger Livesey). In 1902 he is a high-flyer fighting for England’s honour, yet four decades later, during World War II, he seems to be just a whiskered relic of the past. Blimp became famous even before its premiere thanks to Winston Churchill who was opposed to making this blood-and-thunder story, ambiguous in terms of its propagandist qualities. Today we can clearly see that contemporaneous political needs inspired a meditation on Britishness, evanescence, war, and love (a young Deborah Kerr plays three different roles). This panache is accompanied by an inimitable studio style: scenography colours the past and the Technicolor cinematography is supreme.
Sebastian Smoliński
4K restoration completed in 2012 by the Academy Film Archive in association with the BFI, ITV Studios Global Entertainment Ltd., and The Film Foundation. Restoration funding provided by The Material World Charitable Foundation, The Louis B Mayer Foundation, Cinema per Roma Foundation, and The Film Foundation. Supported by Simon and Harley Hessel. Restoration consultants: Martin Scorsese & Thelma Schoonmaker Powell.
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DATE
April 9, 2024
TIME
8:15 PM
VENUE
Kino Muranów Gerard
COPY / OTHERS
DATE
April 13, 2024
TIME
3:15 PM
VENUE
Kino Iluzjon Stolica
COPY / OTHERS
ENGLISH TITLE
The Life and Death of Colonel Blimp
ORIGINAL TITLE
The Life and Death of Colonel Blimp
LANGUAGE
English
SUBTITLES
Polish
SECTION
DIRECTOR
DURATION
163 min
YEAR
1943
COUNTRY
SALES
Park Circus
TRIGGER WARNING
I’m always thinking about the Powell and Pressburger films when I’m thinking about color, about creating worlds, and about how to tell a story as exuberantly as possible.
– Ari Aster
For me, it’s the greatest English movie. (…) I watched this film in the mideighties, when Martin Scorsese brought it out of obscurity and got it restored. It was showing in cinemas, so I went to see it, and it was a complete revelation. Then I went home and wrote The Remains of the Day.
– Kazuo Ishiguro
PRODUCER
Michael Powell, Emeric Pressburger, Richard Vernon
PRODUCTION
The Archers
CAST
Roger Livesey, Deborah Kerr, Anton Walbrook
SCREENPLAY
Michael Powell, Emeric Pressburger
CINEMATOGRAPHY
Georges Périnal (colour)
EDITING
John Seabourne
SCORE
Allan Gray
COSTUME DESIGN
Joseph Bato
ART DIRECTION
Alfred Junge
DECADE
ACCOLADES
#196 on the list of The Greatest Films of All Time by “Sight & Sound” (2022)
EDITION