Being There

An uneducated, illiterate white man who gets all his information from watching television becomes President of the United States after his brand of empty populist rhetoric convinces a shadowy cabal of political kingmakers that he is the right man to lead the country. Sound familiar? In the past couple of years, Being There has certainly gained an extra level of ironic significance in the light of recent happenings in the U.S., but the culmination of Ashby’s remarkable 1970s output was already considered a classic. Based on Jerzy Kosinski’s novel of the same name, Being There is a deft comic parable about the naive, childlike Chauncey Gardner (Peter Sellers) who, after the death of his employer, leaves his cloistered existence and enters the world of the Washington, D.C. elite. Sellers gives an iconic, Oscar-nominated performance as the man whose simplistic statements are interpreted as the koans of a genius, and Shirley MacLaine, Jack Warden and Melvyn Douglas (an Oscar winner for his turn as a fading powerbroker) provide inspired support. In Being There, Ashby achieves a balance of tones that seems impossible, creating a film that is at once incisively satirical and gently accepting of its characters’ flaws. It is the essence of Ashby’s genius.

Nick Dawson

9th American Film Festival Catalogue

Hal Ashby (1929–1988) – American film director who first gained recognition as an editor, winning an Academy Award for In the Heat of the Night (1967). A key figure of the New Hollywood era, his films captured the spirit of a changing America, blending sharp, intelligent humor with a critical edge aimed at issues such as racism, the Vietnam War, and entrenched conservatism.

9th American Film Festival Catalogue